{"id":662,"date":"2020-08-30T19:55:28","date_gmt":"2020-08-30T10:55:28","guid":{"rendered":"http:\/\/ex-media.org\/wordpress\/?page_id=662"},"modified":"2020-08-30T21:45:00","modified_gmt":"2020-08-30T12:45:00","slug":"crit2","status":"publish","type":"page","link":"http:\/\/ex-media.org\/wordpress\/crit2","title":{"rendered":"\uc815\uc5f0\uc2ec &#8211; \ubbf8\ub514\uc5b4 \uc544\ud2b8 \uc18d\uc5d0 \uc0dd\uc131\ud558\ub294 \uac10\uc218\uc131: \uae40\ud604\uc8fc\uc758 \u2018\uc720\uc601\ud558\ub294 \uc790\uc544\u2019"},"content":{"rendered":"<p><strong>\ubbf8\ub514\uc5b4 \uc544\ud2b8 \uc18d\uc5d0 \uc0dd\uc131\ud558\ub294 \uac10\uc218\uc131: \uae40\ud604\uc8fc\uc758 \u2018\uc720\uc601\ud558\ub294 \uc790\uc544\u2019<\/strong><\/p>\n<p><strong>\uc815\uc5f0\uc2ec (\ubbf8\uc220\ube44\ud3c9, \ud050\ub808\uc774\ud130)<\/strong><\/p>\n<p>2013.3 [Pieces of Me] Exhibition Catalog<\/p>\n<p>&nbsp;<\/p>\n<p>\ucfe4\uc2a4\ud2b8\ub3c5\uc5d0 \uc124\uce58\ub41c \uae40\ud604\uc8fc\uc758 \u2018\uc720\uc601\ud558\ub294 \ub098\uc758 \uc790\uc544\u2019\ub294 \ud14c\ud06c\ub180\ub85c\uc9c0\ub97c \uc790\uc720\uc790\uc7ac\ub85c \ub2e4\ub904\uc628 \ubbf8\ub514\uc5b4\uc544\ud2f0\uc2a4\ud2b8\uac00 \ud14c\ud06c\ub180\ub85c\uc9c0\uc758 \uc720\uc800(user)\ub85c\uc11c \uadf8\ub3d9\uc548 \ub290\uaef4\uc628 \uc9c4\uc194\ud55c \ubaa8\ub180\ub85c\uadf8\ub97c \ubcf4\uc5ec\uc900\ub2e4. \uc791\uac00\ub294 \uadf8\ub3d9\uc548 \ubbf8\ub514\uc5b4 \uc544\ud2f0\uc2a4\ud2b8\ub85c \uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c(Social Network)\ub97c \uae30\ubc18\uc73c\ub85c \ud55c \ubbf8\ub514\uc5b4 \uc544\ud2b8 \uc791\uc5c5\uacfc \ubbf8\ub514\uc5b4 \ud30c\uc0ac\ub4dc \uc791\uc5c5\uc744 \ub2e4\uc591\ud558\uac8c \uc2e4\ud5d8\ud574\uc654\uc73c\uba70, \uc735\u00b7\ubcf5\ud569 \ud504\ub85c\uc81d\ud2b8\ub97c \ud1b5\ud574 \uc0c1\uc774\ud55c \uad00\uc2ec\uc744 \uac00\uc9c4 \ubbf8\uc220\uac00\ub4e4\uacfc \uae30\uc220\uc801\uc778 \ud611\uc5c5\uc744 \uc9c4\ud589\ud558\uae30\ub3c4 \ud588\ub2e4. \uc791\uac00\ub294 \ud55c\ube5b \ubbf8\ub514\uc5b4 \uac24\ub7ec\ub9ac\uc640 \uc11c\uc6b8 \uc2a4\ud018\uc5b4, \uc0c1\uc554 DMC\ub97c \uc787\ub294 \ud2b8\ub77c\uc774\uc575\uae00 \ubbf8\ub514\uc5b4 \ud30c\uc0ac\ub4dc\ub97c \uc2e4\ud5d8\ud558\uba70 \uc2e4\uc2dc\uac04 SNS\ub97c \ud1b5\ud574 \uc0c8\ub85c\uc6b4 \uc18c\ud1b5\ubc29\uc2dd\uc744 \uc2dc\ub3c4\ud558\uc600\ub2e4.<\/p>\n<p>\uae40\ud604\uc8fc\ub294 \uadf8\ub3d9\uc548\uc758 \uc791\uc5c5\uc744 \ubc14\ud0d5\uc73c\ub85c \ub514\uc9c0\ud138 \uc2a4\ub9c8\ud2b8 \uc0ac\ud68c\uc5d0\uc11c \uc815\ubcf4\uc640 \uc774\ubbf8\uc9c0\uc758 \uad00\uacc4 \uc18d\uc5d0\uc11c \ud604\ub300\uc778\uc774 \ub290\ub07c\ub294 \uac10\uc131\uacfc \uc18c\uc678, \uadf8\ub9ac\uace0 \uc2e4\uc874\uc758 \ubb38\uc81c\ub97c \uc8fc\ub85c \ub2e4\ub8ec\ub2e4. \ud2b9\ud788, \ucfe4\uc2a4\ud2b8\ub3c5\uc5d0\uc11c\uc758 \uc791\uc5c5\uc740 \ud14c\ud06c\ub180\ub85c\uc9c0\ub97c \ub458\ub7ec\uc2fc \ub2e4\uc591\ud55c \uc2dc\ub3c4\ubcf4\ub2e4\ub294 \ub514\uc9c0\ud138 \ub9e4\uccb4\uac00 \uc6b0\ub9ac\uc758 \uc77c\uc0c1 \uc18d\uc73c\ub85c \ub354\uc6b1 \ub354 \uc678\uc5f0\uc744 \ud655\uc7a5\ud574\uac00\uba74\uc11c \ubbf8\ub514\uc5b4 \uc544\ud2f0\uc2a4\ud2b8\uac00 \uc9c1\uba74\ud558\ub294 \uc77c\uc885\uc758 \uc2ec\ub9ac\uc801\uc778 \ub9ac\uc5bc\ub9ac\ud2f0\uc640 \uac08\ub4f1\uacfc \ud0c0\ud611\uc744 \uc2dc\uac01\ud654\ud55c\ub2e4. \ud3ec\uc2a4\ud2b8\ubbf8\ub514\uc5b4\uc758 \uc2dc\ub300, \ub514\uc9c0\ud138 \uc2dc\ub300\uc5d0 \uc791\uac00\ubfd0 \uc544\ub2c8\ub77c \uc2a4\ub9c8\ud2b8 \ud3f0\uacfc \uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c\uc5d0 \ub178\ucd9c\ub418\uc5b4 \uc628 \uc0ac\ub78c\uc774\uba74 \ub204\uad6c\ub098 \uac00\uc0c1\uacfc \ud604\uc2e4\uc758 \uacbd\uacc4\uac00 \ubaa8\ud638\ud55c \uc601\uc5ed\uc5d0\uc11c \ubd80\uc720\ud558\uace0 \uc720\uc601\ud558\ub294 \uc790\uc2e0\uc744 \ubc1c\uacac\ud558\uac8c \ub41c\ub2e4. \uc791\uac00\ub294 \uac00\uc0c1\uacfc \ud604\uc2e4\uc774\ub77c\ub294 \ud63c\uc131\uc801 \uacf5\uac04\uc5d0\uc11c \uc6b0\ub9ac\uac00 \uacbd\ud5d8\ud558\uac8c \ub418\ub294 \uc815\uccb4\uc131\uacfc \uc2e0\uccb4\uc131\uc758 \ub2e4\uc591\ud55c \ubcc0\ud654\ub97c \ubcf4\uc5ec\uc900\ub2e4. \ubbf8\ub514\uc5b4\uc544\ud2b8\ub294 \ub2e4\uc591\ud55c \uae30\uc220\uacfc \ud504\ub85c\uadf8\ub7a8\uc744 \ubc14\ud0d5\uc73c\ub85c \ub9e4\uccb4\uc640 \uc720\uc800\uac04\uc758 \u2018\uc778\ud130\ub799\ud2f0\ube0c\u2019\ud55c \uacbd\ud5d8\uc744 \ub354\uc6b1 \uac15\uc870\ud574\uc654\uc9c0\ub9cc, \ub9e4\uccb4 \uae30\uc220\uc740 \uc778\uac04 \uc0c1\ud638\uac04\uc758 \uac10\uc131\uc801 \uce21\uba74\uc744 \ub354\uc6b1 \ub2e8\uc77c\ud654, \ub2e8\uc21c\ud654\uc2dc\ud0a4\uba74\uc11c \uac10\uc131\uc801\uc73c\ub85c \uc11c\ub85c\ub97c \uc18c\uc678\uc2dc\ucf1c\uc654\ub2e4. \uc544\uc774\ub7ec\ub2c8\ud558\uac8c\ub3c4 SNS\ub294 \uac00\uc7a5 \ub9ce\uc740 \uc18c\ud1b5\ucc3d\uad6c\ub85c \ud65c\uc6a9\ub418\uace0 \uc788\uc9c0\ub9cc, \uc11c\ub85c\ub97c \uac00\uc7a5 \uc18c\uc678\uc2dc\ud0a4\ub294 \ud63c\uc131\uc801 \uacf5\uac04\uc774\uae30\ub3c4 \ud558\ub2e4.<\/p>\n<p>\ucfe4\uc2a4\ud2b8\ub3c5\uc5d0\uc11c \uc5f4\ub9b0 \uae40\ud604\uc8fc\uc758 \uc804\uc2dc \uc624\ud504\ub2dd(2013\ub144 3\uc6d4 16\uc77c)\uc740 \uc774\uc9c0\uc120\uc758 \ud37c\ud3ec\uba3c\uc2a4\uc640 \uae40\uc774\uacbd(\uc2dc\ub178\uadf8\ub798\ud37c), \ubc15\uc21c\uc601(\uc0ac\uc6b4\ub4dc \uc544\ud2f0\uc2a4\ud2b8), \uc774\uc9c0\uc131(\ud050\ub808\uc774\ud130)\uc758 \ud611\uc5c5\uc73c\ub85c \uc774\ub904\uc9c4 \ubbf8\ub514\uc5b4 \ud37c\ud3ec\uba3c\uc2a4\ub85c \uc2dc\uc791\ub418\uc5c8\ub2e4. \uc6e8\uc5b4\ub7ec\ube14 \ucef4\ud4e8\ud305(wearable computing)\uc774 \uc124\uce58\ub41c \ud37c\ud3ec\uba38\uc758 \uc2e0\uccb4\ub294 \uae40\ud604\uc8fc\uac00 \ubcf4\uc5ec\uc8fc\ub294 \ube44\ud2b8\ud654\ub418\uace0 \ud30c\ud3b8\ud654\ub41c \ub514\uc9c0\ud138 \uc2e0\uccb4\uc774\ub2e4. \ud37c\ud3ec\uba38\uc758 \uc2e0\uccb4\uc5d0\ub294 \uc13c\uc11c\uac00 \uc124\uce58\ub418\uc5b4 \uc811\uc18d\uc774 \ub418\ub294 \uc21c\uac04 \uadf8\ub294 \uc790\ub3d9\uc801\uc73c\ub85c \uc6c0\uc9c1\uc774\ub294 \uc77c\uc885\uc758 \uae30\uae30\uccb4\ub85c \ubcc0\ud55c\ub2e4. \uc774 \uc21c\uac04, \ud3ec\uc2a4\ud2b8\ud734\uba3c(posthuman)\uc758 \uc2e0\uccb4\ub294 \uc815\uc2e0\uc131\uacfc \ud568\uaed8 \ud558\uc9c0 \ubabb\ud558\uace0 \ub9c8\uce58 \uc11c\ub85c \uc774\uc9c8\uc801\uc73c\ub85c \uc874\uc7ac\ud55c\ub2e4. \uc774\ub7f0 \ubd88\ud3b8\ud55c \uc21c\uac04\uc740 \ud37c\ud3ec\uba3c\uc2a4 \uc804\ubc18\uc5d0 \ud758\ub7ec\ub098\uc624\ub294 \uc0ac\uc6b4\ub4dc\ub97c \ube44\ub86f\ud574, \uae40\ud604\uc8fc\uac00 \uc9c1\uc811 \ub9cc\ub4e4\uc5b4 \ub0b8 \ud2b8\uc717\ubd07\uc758 \uc6c0\uc9c1\uc784, \ud504\ub85c\uc81d\ud2b8\ub85c \ub5a8\uc5b4\uc9c0\ub294 \uc2dc\uc801\uc778 \uc5b8\uc5b4\ub4e4\uc744 \ud1b5\ud574 \ubbf8\uc7a5\uc13c((mise en sc\u00e9ne)\uc73c\ub85c \uad00\ub78c\uc790\ub4e4\uc744 \ud63c\ub3c8\ucf00 \ud55c\ub2e4.<\/p>\n<p>\uae40\ud604\uc8fc\uc758 \uc124\uce58 \uc791\uc5c5 \uc548\uc5d0\uc11c \ubc8c\uc5b4\uc9c0\ub294 \ud37c\ud3ec\uba3c\uc2a4\ub294 \uad00\ub78c\uc790\ub4e4\ub85c \ud558\uc5ec\uae08 \ud3ec\uc2a4\ud2b8\ud734\uba3c\uc801\uc778 \uae30\uae30\ub97c \ubab8\uc5d0 \uc124\uce58\ud55c \uac83 \uac19\uc740 \ubab0\uc785\uc744 \uc77c\uc73c\ud0a8\ub2e4. \ud37c\ud3ec\uba3c\uc2a4\uac00 \ub05d\ub09c \uc774\ud6c4, \uc774\ub7ec\ud55c \ubab0\uc785\uc740 \ub514\uc9c0\ud138 \uae30\uc220\uacfc \uc18c\uc15c\ubbf8\ub514\uc5b4\uac00 \uacfc\uc5f0 \uc6b0\ub9ac\uc758 \ubab8\uacfc \uc815\uc2e0\uc758 \uad00\uacc4, \ub098\uc640 \ub108\uc758 \uad00\uacc4, \ubb3c\ub9ac\uc801 \ub098\uc640 \uc2ec\ub9ac\uc801 \ub098\uc640\uc758 \uad00\uacc4\ub97c \uc5b4\ub5bb\uac8c \uc774\uc9c8\ud654\uc2dc\ud0a4\ub294\uc9c0\uc5d0 \ub300\ud55c \ube44\ud3c9\uc801\uc778 \uc9c8\ubb38\uc73c\ub85c \uc774\uc5b4\uc9c4\ub2e4. \uae40\ud604\uc8fc\uc758 \uc124\uce58\ub294 \ud14c\ud06c\ub180\ub85c\uc9c0\uc5d0 \ubc14\ud0d5\uc744 \ub454 \ubbf8\ub514\uc5b4 \ud37c\ud3ec\uba3c\uc2a4\uc5d0 \ubab0\uc785\ub418\uc5c8\ub358 \uc6b0\ub9ac\ub97c \ubb3c\ub9ac\uc801\uc73c\ub85c \uadf8\ub9ac\uace0 \uc2ec\ub9ac\uc801\uc73c\ub85c \ub04c\uc5b4\ub0b4\uc5b4 \uc18c\uc15c \ubbf8\ub514\uc5b4\uc758 \uacf5\uac04\uc744 \ub2e4\uc2dc \ub3cc\uc774\ucf1c\ubcf4\uac8c \ud55c\ub2e4. \uacfc\uac70 \uae40\ud604\uc8fc\uac00 \ubbf8\ub514\uc5b4 \uc778\ud130\ub799\uc158\uc5d0 \uc8fc\ub825\ud588\ub2e4\uba74, \uc774\ubc88\uc5d0\ub294 \uacf5\ud559\ubca0\uc774\uc2a4\uc758 \uc5f0\uad6c\uc5d0\uc11c \ubbf8\ub514\uc5b4 \uc544\ud2f0\uc2a4\ud2b8\ub85c\uc11c \uc608\uc220\uc131\uc744 \ubaa8\uc0c9\ud588\ub358 \uacfc\uc815\uc5d0\uc11c \uc791\uac00\uac00 \ub290\uaf08\ub358 \ube44\ud3c9\uc801 \uc9c8\ubb38\ub4e4\uc744 \ub0b4\ubcf4\uc774\uace0 \uc788\ub2e4.<\/p>\n<p>\uc778\ud130\ub137\uc744 \ud1b5\ud574, \uadf8\ub9ac\uace0 \uc18c\uc15c \ub124\ud2b8\uc6cc\ud0b9\uc744 \ud1b5\ud574 \uc815\ubcf4\uc2dc\ub300\uac00 \uc5f4\ub9ac\uba74\uc11c \uc0c8\ub85c\uc6b4 \uc18c\ud1b5\ubc29\uc2dd\uc774 \uc81c\uc2dc\ub418\uc5c8\uace0, \uc774\ub7ec\ud55c \uae30\uc220\uc801\uc778 \ubcc0\ud654\ub294 \uc6b0\ub9ac\uc758 \uc77c\uc0c1\uc744 \ubcc0\ud654\uc2dc\ud0a4\uba70 \ub514\uc9c0\ud138 \ub9e4\uccb4\uc758 \ud601\uba85\uc744 \uac00\ub2a5\ud558\uac8c \ud558\uc600\ub2e4. 1988\ub144 \uc81c\ud504\ub9ac \uc1fc(Jeffrey Shaw)\uac00 \uc81c\uc791\ud55c &lt;\uc77d\uc744 \uc218 \uc788\ub294 \ub3c4\uc2dc(The Legible City)&gt;(1988-1991)\uc640 \uac19\uc740 \ub514\uc9c0\ud138 \ub9e4\uccb4 \uc791\uc5c5\uc774\ub098, \ud1a0\ub9c8\uc2a4 \ub8e8\ud504(Thomas Ruff)\uac00 \ub514\uc9c0\ud138 \uc0ac\uc9c4 \uc774\ubbf8\uc9c0\ub4e4\uc744 \ub04a\uc784\uc5c6\uc774 \uc870\uc791\ud558\uace0 \ud569\uc131\ud558\uc5ec \ud53d\uc140\uc744 \ubcc0\ud615\uc2dc\ucf30\ub358 &lt;Jpegs \uc5f0\uc791(Jpegs series)&gt;\uc740 \ub514\uc9c0\ud138 \uae30\uc220 \uc5c6\uc774\ub294 \ubd88\uac00\ub2a5\ud55c \uc791\ud488\ub4e4\uc774\ub2e4. \ubcf4\ub4e4\ub9ac\uc57c\ub974\uc758 \u2018\uc2dc\ubbac\ub77c\ud06c\ub974\u2019\uc758 \uac1c\ub150\uc744 \ub118\uc5b4 \uc774\ubbf8\uc9c0\ub294 \uc815\ubcf4\ucc98\ub7fc \ub370\uc774\ud130\ud654\ub418\ub294 \ubcc0\ud654\ub97c \ucd08\ub798\ud588\ub2e4. \uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c\uc758 \uacf5\uac04\uc5d0\uc11c \uc775\uba85\uc758 \ub204\uad70\uac00\uac00 \uc0dd\uc0b0, \uc81c\uc791\ud55c \uc774\ubbf8\uc9c0\ub294 \ub610 \ub2e4\ub978 \uc0ac\ub78c\uc5d0 \uc758\ud574 \uc18c\ube44\ub418\uace0 \ubcc0\ud615\ub418\uc5b4, \uc7ac\uc0dd\uc0b0\ub41c\ub2e4.<\/p>\n<p>\ube44\ub514\uc624, \uc601\uc0c1\uc740 \ucef4\ud4e8\ud130\uc640 \uc124\uce58\uc640 \ud568\uaed8 \ub2e4\ub904\uc9c0\uba74\uc11c \uc0c8\ub85c\uc6b4 \ub9e4\uccb4 \uc2e4\ud5d8\uc774 \uc2dc\uc791\ub418\uc5c8\uace0, \ubaa8\ub354\ub2c8\uc2a4\ud2b8\ub4e4\uc758 \ud654\uc774\ud2b8 \ud050\ube0c\ub294 \ub9c8\uce58 \ube14\ub799\ubc15\uc2a4(black box)\uc640 \uac19\uc740 \uc5b4\ub450\uc6b4 \uacf5\uac04\uc744 \ud544\uc694\ub85c \ud558\uac8c \ub418\uc5c8\ub2e4. \ube44\ud1a0 \uc544\ucf58\uce58, \ube0c\ub8e8\uc2a4 \ub098\uc6b0\uba3c \ub4f1\uacfc \uac19\uc740 \ucd08\uae30\ube44\ub514\uc624 \ubbf8\uc220\uac00\ub4e4\uc774 \ud3d0\uc1c4\ud68c\ub85c(CCTV)\ub97c \uc774\uc6a9\ud558\uc5ec \uadf8\uc57c\ub9d0\ub85c \uac10\uc2dc\uc6a9 TV\uc640 \uac19\uc740 \uc791\uc740 \uc2a4\ud06c\ub9b0\uc744 \uc774\uc6a9\ud558\uc600\ub2e4\uba74, \ube14\ub799\ubc15\uc2a4\ub97c \ud544\uc694\ub85c \ud558\ub294 \ub274\ubbf8\ub514\uc5b4 \ubbf8\uc220\uac00\ub4e4\uc740 \ub300\ud615 \uc2a4\ud06c\ub9b0\uc73c\ub85c \u2018\ubab0\uc785\u2019\uc744 \uc720\ub3c4\ud558\ub294 \ubc29\uc2dd\uc73c\ub85c \ubcc0\ud574\uc654\ub2e4. \uc5ec\uae30\uc11c \uc77c\uc5b4\ub09c \ubcc0\ud654\ub294 \uc774\uc81c \ubbf8\uc220\uc774\ub780 \uc624\ube0c\uc81c(object)\ub3c4, \ubbf8\ub2c8\uba40\ub9ac\uc2a4\ud2b8\ub4e4\uc774 \uad6c\uc0ac\ud558\ub358 \u2018\uc0ac\ubb3c(thing)&#8217;\uc774\ub098 &#8216;\uc0ac\ubb3c\uc131(objecthood)&#8217; \uac1c\ub150\ub3c4 \uc544\ub2cc, \u2018\uc774\ubbf8\uc9c0\u2019\ub85c \ucc9c\ucc29\ud558\uace0 \uc788\ub2e4\ub294 \uc810\uc774\ub2e4(Alexander Alberro, &#8220;Questionnaire Alberro,&#8221; October (Fall 2009), p. 58; \uc774\ubbf8\uc9c0\ub85c\uc758 \ubcc0\ud654\ub97c \uc9c0\uc801\ud558\uba70 \uc774 \uc810 \ub54c\ubb38\uc5d0 \u2018\uc2dc\uac01\ubb38\ud654\u2019\uac00 \uc5f0\uad6c\ub418\uc5c8\ub2e4\uace0 \ubcf8\ub2e4; Susan Buck-Morss, &#8220;Visual Studies and Global Imagination,&#8221; Papers on Surrealism 2 (Summer 2004), pp. 1-29) \u00a0\ud2b9\ud788, \uc544\ub0a0\ub85c\uadf8\uc5d0\uc11c \ub514\uc9c0\ud138 \uc774\ubbf8\uc9c0\ub85c\uc758 \uc804\ud658\uc740 \uc791\uac00\ub4e4\uc774 \uacfc\uac70\uc5d0 \ube44\ud574 \ub354\uc6b1 \uc6a9\uc774\ud558\uac8c \u2018\ud3b8\uc9d1\u2019\ud560 \uc218 \uc788\ub294 \ud658\uacbd\uc744 \ubd80\uc5ec\ud588\uc73c\uba70, \ud5c8\uad6c\uc640 \uc0c1\uc0c1\uc5d0 \uc758\uc874\ud55c \ud53d\uc158\uc758 \uc138\uacc4\uc640 \ub9ac\uc5bc\ub9ac\ud2f0\ub97c \ubcf4\uc5ec\uc8fc\ub294 \ub17c\ud53d\uc158\uc758 \uc774\ubbf8\uc9c0\uac00 \uc11c\ub85c \ud63c\uc6a9\ub418\uc5b4 \ub4f1\uc7a5\ud558\uae30 \uc2dc\uc791\ud588\ub2e4. \uc804\ud1b5\ubbf8\uc220\uc5d0\uc11c \u2018\uc0dd\uc0b0\/\uc81c\uc791\u2019\uc774\ub77c\ub294 \uac1c\ub150\uc774 \ubcc0\ud654\ud558\uc9c0 \uc54a\ub294 \ubd80\ub3d9\uc758 \uc0c1\ud0dc\uc600\ub2e4\uba74, \ub274\ubbf8\ub514\uc5b4\uc758 \ub4f1\uc7a5\uc740 \uc774\ub7ec\ud55c \uce74\ud14c\uace0\ub9ac\uac00 \uace0\ucc29\ud654\ub41c \uac83\uc774 \uc544\ub2c8\ub77c\ub294 \uc810\uc744 \uc778\uc2dd\ud558\uac8c \ud558\uc600\ub2e4.<\/p>\n<p>\uc791\uac00 \uae40\ud604\uc8fc\ub294 \ub9ac\uc5bc\ub9ac\ud2f0\ubcf4\ub2e4 \ub354 \uc2e4\uc7ac\uc801\uc778 \uc18c\uc15c \ub124\ud06c\uc6cc\ud06c\uc758 \uac00\uc0c1\uacf5\uac04\uc5d0\uc11c \ud604\ub300\uc778\ub4e4\uc774 \ub290\ub07c\ub294 \uac10\uc131\uc758 \ubd84\uc5f4\uacfc \uc2e4\uc874\uc758 \ubb38\uc81c\ub97c \uc81c\uae30\ud558\ub294\ub370, \uac00\uc0c1\uc758 \uacf5\uac04\uc5d0\uc11c\ub294 \uc5f0\uc18d\uc801\uc778 \uc2dc\uac04\uc131\uc774 \uae68\uc9c0\ub294 \uc774\uc2dc\uc131(\u7570\u6642\u6027, heterochrony)\uc774 \ub354\uc6b1 \uc911\uc694\ud558\uac8c \ub2e4\ub904\uc9c0\uae30 \ub54c\ubb38\uc774\uae30\ub3c4 \ud558\ub2e4. \uc0ac\uc774\ubc84 \uacf5\uac04\uc5d0\uc11c\ub294 \uc120\uc801\uc778 \uc2dc\uac04\uc758 \ud750\ub984\uc774 \uae68\uc9c0\uba74\uc11c, \uacfc\uac70\uc640 \ud604\uc7ac, \ubbf8\ub798\ub294 \ub05d\uc5c6\uc774 \uc11c\ub85c \ub4a4\uc11e\uc774\uba70 \ud63c\uc6a9\ub418\uc5b4 \uc788\ub2e4. \uc774 \uacf5\uac04\uc5d0\ub294 \uc790\uc5f0\uc2a4\ub7ec\uc6b4 \uac83\uacfc \uc778\uc704\uc801\uc778 \uac83, \uc544\ub0a0\ub85c\uadf8\uc801\uc778 \uac83\uacfc \ub514\uc9c0\ud138\uc801\uc778 \uac83, \uac10\uc131\uc801\uc778 \uac83\uacfc \uc774\uc131\uc801\uc778 \uac83, \uac70\uce5c \uac83(\ud3b8\uc9d1\ub418\uc9c0 \uc54a\uc740 \uac83)\uacfc \ub2e4\ub4ec\uc5b4\uc9c4 \uac83(\ud3b8\uc9d1\ub41c \uac83) \ub4f1 \uadf8\uc57c\ub9d0\ub85c \ub0a0 \uac83\uacfc \uc775\ud78c \uac83\uc774 \uc11c\ub85c \ubc18\ub300\uc758 \uc9c0\uc810\uc5d0 \uc874\uc7ac\ud558\ub294 \uac83\uc774 \uc544\ub2c8\ub77c, \uc11c\ub85c\uc758 \uacbd\uacc4\ub97c \uc624\uac00\uba70 \uc6b0\ub9ac\uc758 \uac10\uac01\uc744 \ud655\uc7a5\uc2dc\ud0a4\uace0 \ub54c\ub85c\ub294 \uc11c\ub85c\ub97c \uc18c\uc678\uc2dc\ud0a8\ub2e4.<\/p>\n<p>\uae40\ud604\uc8fc\ub294 \u201c\ub098\uc758 \ubab8\uc740 \uc791\uace0 \uc791\uc740 \ube44\ud2b8\uac00 \ub418\uc5b4 \uad11\ud65c\ud55c \uc0ac\uc774\ubc84\ub124\ud2f1 \uacf5\uac04\uc5d0 \ud769\ubfcc\ub824\uc9c0\uace0, \ub2e4\ub978 \ubab8\ub4e4\uacfc \ub4a4\uc11e\uc774\uace0 \uc5f0\uacb0\ub41c\ub2e4. \uadf8\uac83\uc774 \ub098\uc640 \uc6b0\ub9ac\uc758 \ubab8\uc774\ub2e4\u201d\ub77c\uace0 \ud45c\ud604\ud558\uace0 \uc788\ub2e4. \uc791\uac00\ub294 \uc778\uac04\uacfc \uae30\uacc4\uc758 \uac10\uac01\uc774 \uc11c\ub85c \uacb0\ud569\ub418\uc5b4 \uc788\ub294 \ud3ec\uc2a4\ud2b8\ud734\uba3c\uc801 \ud604\uc0c1 \uc18d\uc5d0\uc11c \uae30\uacc4\uc801\uc778 \ud53c\ub4dc\ubc31\uc744 \ud1b5\ud55c \uc989\uac01\uc801\uc778 \uc778\ud130\ub799\ud2f0\ube0c\ub97c \uad6c\ud604\ud558\uae30\ubcf4\ub2e4\ub294 \uc774\ub7ec\ud55c \uc0ac\uc774\ubc84 \uacf5\uac04\uc5d0\uc11c \uc0c1\ud638\uac04\uc5d0 \uac10\uc131\uc801 \uad50\uac10\uc774 \uac00\ub2a5\ud55c\uc9c0\ub97c \ub418\ubb3b\ub294\ub2e4.<\/p>\n<p>\uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c\ub97c \ud1b5\ud574 \uc6b0\ub9ac\ub294 \uc11c\ub85c \uc811\uc18d\ub418\uc5b4 \uc788\uace0 \uc5f0\uacb0\ub418\uc5b4 \uc788\uc5b4 \uc788\uc9c0\ub9cc, \ud55c\ud3b8\uc73c\ub85c\ub294 \uc11c\ub85c \uc18c\uc678\ub418\uc5b4 \uc788\uace0 \ubd84\uc808\ub418\uc5b4 \uc788\ub294 \uc810\uc73c\ub85c \uad6c\uc131\ub418\uc5b4 \uc788\ub2e4. \ub204\uad6c\ub4e0\uc9c0 \uc27d\uac8c \ub300\ud654\ub97c \ud560 \uc218 \uc788\uc73c\uba74\uc11c\ub3c4 \ud55c\ud3b8\uc73c\ub85c\ub294 \uc11c\ub85c\uac00 \uc11c\ub85c\ub97c \uace0\ub9bd\uc2dc\ud0a4\ub294 \uc775\uba85\uc131\uacfc \ub2e8\uc808\uc744 \uafc8\uafbc\ub2e4. \ud14c\ud06c\ub180\ub85c\uc9c0\uc5d0 \ub300\ud574 \ud574\ubc15\ud55c \uc9c0\uc2dd\uc744 \uac00\uc9c0\uace0 \uc788\ub294 \uc791\uac00\ub294 \ucfe4\uc2a4\ud2b8\ub3c5\uc758 1\uce35\uacfc 2\uce35 \uacf5\uac04\uc744 \uc774\uc6a9\ud574 \uc774\ub7ec\ud55c \uc0ac\uc774\ubc84 \uacf5\uac04\uc5d0\uc11c \uc6b0\ub9ac\uac00 \ub290\ub07c\ub294 \uc678\ub85c\uc6c0\uacfc \uacf5\ud5c8\ud568\uc744 \u2018\uc2ec\ub9ac\uc801\u2019 \uc778\ud130\ub799\ud2f0\ube0c \ud615\uc2dd\uc73c\ub85c \ud480\uc5b4\ub0b4\uace0 \uc788\ub2e4. \uadf8\ub294 \uc778\uac04\uc801\uc778 \uac10\uc218\uc131\uacfc \uac00\uc0c1\uacf5\uac04 \uc18d\uc5d0\uc11c \ubd84\uc5f4\ub41c \uc778\uac04\uc758 \uc8fc\uccb4\uc131\uc744 \uadf8\ub824\ub0b4\uae30 \uc704\ud574 \ucfe4\uc2a4\ud2b8\ub3c5\uc758 \uacf5\uac04\uc744 \ubbf8\uc7a5\uc13c\uc73c\ub85c \ubcc0\ud654\uc2dc\ucf30\ub2e4. \ucfe4\uc2a4\ud2b8\ub3c5\uc758 \ubc14\ub2e5\uc5d0 \ubfcc\ub824\uc9c0\ub294 \uc601\uc0c1\uc5d0\ub294 \ud3b8\uc9d1\ub418\uc9c0 \uc54a\uc740 \ud2b8\uc704\ud2b8\uc758 \uae00\uadc0\ub4e4\uc774 \ud769\uc5b4\uc838\uc788\ub2e4. \uc774\uac83\ub4e4\uc740 \ud3ec\ud1a0\uc0f5\uc5d0\uc11c \ud3b8\uc9d1\ub418\uc9c0 \uc54a\uc740 \ub0a0 \uc0c1\ud0dc\uc758 \uac70\uce5c \ud14d\uc2a4\ud2b8\ub4e4\uc774\uba70, \uc774\ub7ec\ud55c \ud14d\uc2a4\ud2b8\ub294 \ud30c\ud3b8\ud654\ub41c \uc2e0\uccb4\ucc98\ub7fc \ud1b5\uc77c\uac10\uc774\ub098 \uc601\uc18d\uc131\uc774 \uc5c6\ub294 \uc77c\uc2dc\uc801\uc778 \uac83\ub4e4\uc774\ub2e4. \ud14d\uc2a4\ud2b8\ub4e4\uc740 \ub514\uc9c0\ud138\uc758 \ud53d\uc140, \ube44\ud2b8\ucc98\ub7fc \uc77c\uc2dc\uc801\uc73c\ub85c \uc874\uc7ac\ud558\ub2e4\uac00 \ube60\ub978 \uc18d\ub3c4\ub85c \uc0ac\ub77c\uc838\ubc84\ub9ac\ub294 \uc218\ud37c-\ubaa8\ub354\ub2c8\ud2f0(super-modernity)\uc758 \uac00\uc0c1 \uc774\ubbf8\uc9c0\ub85c \uc874\uc7ac\ud55c\ub2e4.<\/p>\n<p>\uae40\ud604\uc8fc\ub294 &lt;Pieces of Me II&gt;\uc744 \uc0c8\ub85c\uc6b4 \uc2e0\uc791\uc73c\ub85c \uc81c\uc791\ud558\uc600\uc73c\uba70 \ucfe4\uc2a4\ud2b8\ub3c5\uc758 1\uce35 \uac24\ub7ec\ub9ac \uacf5\uac04\uc758 \uc7a5\uc18c\uc131\uc744 \uc0b4\ub838\ub2e4. \uadf8\ub294 \ud2b8\uc704\ud2b8 \uc0c1\uc5d0\uc11c \ubc1b\uc740 \uac10\uc131\uc801 \ud45c\ud604\uacfc \uc5f0\uad00\ub41c \uae00\ub4e4\uc744 \ubc1b\uc544\uc11c \uc774\ub97c \ud504\ub9b0\ud2b8\ud558\uac70\ub098 \ubaa8\ube4c\ud654 \uc2dc\ud0a4\ub294\ub370, \ubc00\uc9d1\ub418\uc5b4 \uc788\ub294 \uae00\ub4e4\uc740 \uc870\uac01\uc801 \uc124\uce58 \uc791\ud488\uc73c\ub85c \uc874\uc7ac\ud55c\ub2e4. \ud2b8\uc704\ud2b8 \uacf5\uac04\uc740 \ube60\ub974\uac8c \uc5c5\ub370\uc774\ud2b8\ub418\uace0 \ubcc0\ud654\ud558\ub294 \uacf5\uac04\uc73c\ub85c \uadf8 \uc5b4\ub290 \uac83\ub3c4 \uace0\uc815\ub418\uc5b4 \uc788\ub294 \uac83\uc774 \uc5c6\ub2e4 (\ub178\ub780\uc0c9 \ud14d\uc2a4\ud2b8\ub294 \uc2dc\uac04\uc0c1 \ucd5c\uadfc\uc5d0 \ubc1b\uc740 \uae00\uc774\ub2e4). \ud2b8\uc704\ud2b8 \uc0ac\uc6a9\uc790\ub4e4\uc740 \uc9c0\uc18d\uc801\uc73c\ub85c \ubc14\ub00c\uba70, \uc0ac\ub78c\ub4e4\uc774 \uac04\ub2e8\ud558\uac8c \ub0a8\uae34 \ubb38\uc7a5\ub4e4\uc5d0 \ub300\ud55c \ucf54\uba58\ud2b8\uc640 \ucf54\uba58\ud2b8\uc758 \ucf54\uba58\ud2b8 \ub4f1\uc740 \uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c \uacf5\uac04\uc744 \uc77c\uc2dc\uc801\uc774\uba70 \ub367\uc5c6\uace0, \ud3b8\uc9d1\ub418\uc9c0 \uc54a\uc740 \uac70\uce5c \uacf5\uac04\uc73c\ub85c \ub9cc\ub4e0\ub2e4. \uc288\ud37c \ubaa8\ub354\ub2c8\ud2f0\uc758 \uc138\uacc4\ub77c\uace0 \ubd80\ub97c \uc218 \uc788\ub294 \ud2b8\uc704\ud2b8\uc758 \uacf5\uac04\uc740 \uac00\ubcbc\uc6b0\uba70, \uc18c\ube44\ub418\ub294 \uc778\uc2a4\ud134\ud2b8 \uacf5\uac04\uc774\ub2e4. \uc774\uacf3\uc740 \ub124\ud2b8\uc6cc\ud06c \uc0c1\uc5d0\uc11c \uc874\uc7ac\ud558\ub294 \ub098\ub77c\ub294 \uc790\uc544\uac00 \ubd84\uc0b0\ub418\uace0 \ubd84\uc5f4\ub418\ub294 \uacf3\uc774\uba70, \ub098\uc758 \ubab8\uacfc \uc815\uccb4\uc131\uc774 \ube44\ud2b8\ud654\ub418\uace0 \ud30c\ud3b8\ud654\ub418\ub294 \uacf3\uc774\uae30\ub3c4 \ud558\ub2e4. \uc774\ub7ec\ud55c \ub290\ub08c\uc740 \uae40\ud604\uc8fc \ud63c\uc790\ub9cc \ub290\ub07c\ub294 \uac83\uc774 \uc544\ub2c8\ub77c, \uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c\uc5d0 \ucc38\uc5ec\ud558\ub294 \uc0ac\ub78c\uc774\uba74 \ub204\uad6c\ub098 \ube44\uc2b7\ud55c \ub290\ub08c\uc744 \uacbd\ud5d8\ud558\uae30 \ub54c\ubb38\uc5d0 \uc774\ub7ec\ud55c \uac10\uc131\uc801 \ud45c\ud604\ub4e4\uc740 \uc9d1\ub2e8\ud654\ub41c\ub2e4. \u2018\uc720\uc601\ud558\ub294 \uc790\uc544\u2019\ub294 \ub514\uc9c0\ud138 \ud658\uacbd \uc18d\uc5d0\uc11c \uc6b0\ub9ac\uac00 \uc77c\uc0c1\uc801\uc73c\ub85c \uacbd\ud5d8\ud558\ub294 \uac10\uc131\uc801 \uce21\uba74\ub4e4\uc744 \ubb3c\ub9ac\uc801 \uc124\uce58\ub85c \ud480\uc5b4\ub0b4\uba70 \uadf8 \uc5b4\ub514\uc5d0\ub3c4 \uc18d\ud558\uc9c0 \ubabb\ud558\uace0 \ubd80\uc720\ud558\ub294 \uc6b0\ub9ac\uc758 \uc790\ud654\uc0c1\uc744 \ud45c\ud604\ud55c\ub2e4. \ub514\uc9c0\ud138 \ub9e4\uccb4\ub294 \uc6b0\ub9ac\uc758 \uac10\uac01\uacfc \uc2e0\uccb4\uc131\uc744 \ud655\uc7a5\uc2dc\ucf30\uc9c0\ub9cc, \uc2ec\ub9ac\uc801\uc778 \uc704\uc548\uc744 \uc8fc\uc9c0\ub294 \ubabb\ud588\ub2e4.<\/p>\n<p>\ucfe4\uc2a4\ud2b8\ub3c5\uc5d0 \uc124\uce58\ub41c \uae40\ud604\uc8fc\uc758 \uc791\uc5c5 &lt;Pieces of Me I \u2013 Tweetbot&gt;\uc740 2013\ub144 \ubd04 \uc0ac\ube44\ub098 \ubbf8\uc220\uad00\uc774 \uae30\ud68d\ud55c \u300a\uc18c\uc15c\uc544\ud2b8@\uc608\uc220, \uc18c\ud1b5 \ubc29\uc2dd\uc758 \ubcc0\ud654\/ Social Art\u300b\uc5d0 \uc791\uac00\uac00 \uc124\uce58\ud55c \uc791\ud488\uacfc \uac1c\ub150\uc801\uc73c\ub85c \uc5f0\uc7a5\uc120\uc0c1\uc5d0 \uc788\ub2e4. \ub2f9\uc2dc, \uc791\uac00\ub294 \uc804\uc2dc &lt;TweetBot v1.0\u300b\ub97c \uc81c\uc791\ud558\uc600\ub294\ub370, \uc774\ubc88\uc5d0 \uc804\uc2dc\ub418\ub294 45 \uc13c\ud2f0\ubbf8\ud130 \ud06c\uae30\uc758 \uae30\uc5b4\ub2e4\ub2c8\ub294 \u2018\ud2b8\uc717\ubd07\u2019\uc740 \uc791\uac00\uac00 \ud2b8\uc704\ud2b8\uc5d0\uc11c \u2018\uc678\ub85c\uc6b4,\u2019 \u2018lonely,&#8217; \u2018\uace0\ub3c5,\u2019 \u2018\ud640\ub85c,\u2019 \u2018waiting alone &#8216;\ub4f1 \uc778\uac04\uc801\uc778 \uac10\uc131\uc744 \ud45c\ud604\ud558\ub294 \ub2e8\uc5b4\ub4e4\uc744 \uac80\uc0c9\ud558\uc5ec \uc774\ub97c \uad00\uac1d\uc5d0\uac8c \ubcf4\uc5ec\uc8fc\ub294 \ubc29\uc2dd\uc744 \ud0dd\ud588\ub2e4. \u2018\ud2b8\uc717\ubd07\u2019\uc740 \ud2b8\uc704\ud2b8 \ub85c\ubd07\uc73c\ub85c \ud2b8\uc704\ud2b8\uc5d0\uc11c \uc874\uc7ac\ud558\ub294 \ub2e8\uc5b4\ub4e4\uc744 \ud3ec\ucc29\ud574\ub0b4\ub294 \uae30\uacc4\uc801 \uc7a5\uce58\uc774\ub2e4. \ub610\ud55c \ud2b8\uc717\ubd07\uc740 SNS\ub85c \uc5f0\uacb0\ub418\uc5b4 \uc788\ub294 \uac00\uc0c1\uc758 \uacf5\uac04\uacfc \uc791\ud488\uc774 \uc124\uce58\ub41c \uc2e4\uc9c8\uc801, \ubb3c\ub9ac\uc801 \uacf5\uac04\uc744 \ub9e4\uac1c\ud574\uc900\ub2e4. \uace0\ub3c5\uacfc \uac19\uc740 \ub2e8\uc5b4\ub294 \uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c \uc18d\uc5d0\uc11c \ub290\ub07c\ub294 \uc678\ub85c\uc6c0\uc744 \ubcf4\uc5ec\uc8fc\ub294 \uac83\uc774\uae30\ub3c4 \ud558\uc9c0\ub9cc, \uac00\uc0c1\uc758 \uacf5\uac04\uc5d0\uc11c \ub9ce\uc740 \uc0ac\ub78c\ub4e4\uc774 \uc0ac\uc6a9\ud558\ub294 \u2018\uc678\ub86d\ub2e4\u2019\ub294 \ub2e8\uc5b4\ub098 \uadf8\uc640 \uc720\uc0ac\ud55c \uac10\uc131\uc801 \ub2e8\uc5b4\ub294 \ud604\uc2e4\uc5d0\uc11c \uc2e4\uc81c\ub85c \ub290\ub07c\ub294 \uc2ec\ub9ac\uc801 \uc0c1\ud0dc\ub97c \uac04\ub2e8\ud55c \ubb38\uc7a5\uc73c\ub85c \ud45c\ud604\ud55c \uac83\ub4e4\uc774\ub2e4.<\/p>\n<p>\ucfe4\uc2a4\ud2b8\ub3c5\uc758 \uac24\ub7ec\ub9ac 2\uce35\uc5d0\ub294 &lt;Pieces of Me III &#8211; Falsebody)&gt;\ub97c \uc124\uce58\ud558\uc600\ub2e4. \uc798\ubabb\ub41c \uc2e0\uccb4, \uc624\ub958\uc758 \uc2e0\uccb4\ub77c\uace0 \ubd88\ub9ac\ub294 \uc774 \uc791\uc5c5\uc740 \ub808\uc774\uc800 \uc5d0\uce6d\uc774 \ub41c \ud50c\ub809\uc2dc\uae00\ub798\uc2a4 \ud328\ub110\uacfc \ub514\uc9c0\ud138 \uc560\ub2c8\uba54\uc774\uc158\uc744 \uc774\uc6a9\ud55c \uc791\uc5c5\uc774\ub2e4. \ub514\uc9c0\ud138\ud654\ub41c \ubab8\uc744 \ud1b5\ud574 \uc791\uac00\ub294 \ube44\ubb3c\uc9c8\uc801\uc778 \uce21\uba74\uc744 \ubcf4\uc5ec\uc900\ub2e4. \uad00\uac1d\ub4e4\uc740 \ubd09\ud22c\uc5d0 \ub2f4\uaca8\uc838 \uc788\ub294 \uc77c\ubd80 \ud53c\uc2a4(piece)\ub4e4\uc744 \uac00\uc838\uac08 \uc218 \uc788\uc73c\uba70, \uad00\ub78c\uac1d\ub4e4\uc740 \uc6d0\ud55c\ub2e4\uba74 \ub2e4\uc2dc \uac24\ub7ec\ub9ac\uc5d0 \uc790\uc2e0\uc774 \uac00\uc838\uac04 \ubd09\ud22c\ub4e4\uc744 \uc0ac\uc9c4\uc73c\ub85c \ucc0d\uc5b4 \uc804\uc1a1\ud560 \uc218 \uc788\ub2e4.<\/p>\n<p>\uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c\ub294 \uc774\uc804\uc5d0\ub294 \uac00\ub2a5\ud558\uc9c0 \uc54a\ub358 \uc2e4\uc2dc\uac04 \uc5c5\ub370\uc774\ud2b8\uac00 \uc9c0\uc18d\uc801\uc73c\ub85c \uc774\ub904\uc9c0\ub294 \uac00\uc0c1\uacf5\uac04\uc774\uc790 \ud604\uc2e4\uc801 \uacf5\uac04\uc774\ub2e4. \uc2a4\ub9c8\ud2b8 \ud3f0 \uc0c1\uc5d0\uc11c \uc2e4\uc2dc\uac04\uc73c\ub85c \uc5c5\ub370\uc774\ud2b8\ub418\ub294 \uc815\ubcf4\uc640 \ub354\ubd88\uc5b4 \ud2b8\uc704\ud2b8\ub85c \ubcfc \uc218 \uc788\ub294 \ubaa8\ub4e0 \uc815\ubcf4\ub4e4\uc740 \ubd80\uc720\ud558\uace0 \uc548\ucc29\ub418\uc9c0 \ubabb\ud558\ub294 \uc77c\uc885\uc758 \uc870\uac01\uc0c1\ud0dc(pieces)\ub4e4\uc774\uae30\ub3c4 \ud558\ub2e4. \uac00\uc0c1 \uacf5\uac04\uc740 \ud604\uc2e4 \uacf5\uac04\uacfc \ubd84\ub9ac\ub418\uc5b4 \uc874\uc7ac\ud558\ub294 \uac83\uc774 \uc544\ub2c8\ub77c, \uac00\uc0c1\uacfc \ud604\uc2e4\uc758 \uacbd\uacc4\ub97c 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\ubbf8\ub514\uc5b4\uc544\ud2b8\uac00 \uc608\uc220 \uc624\ube0c\uc81c\uc640 \uad00\ub78c\uac1d\ub4e4\uacfc \ub2e4\uc2dc \uc870\uc6b0\ud558\uace0 \ubb3c\ub9ac\uc801\uc73c\ub85c \ub9cc\ub098\uba74\uc11c \ud655\uc7a5\ub41c \uc7a5\uc73c\ub85c \ubcc0\ud654\ud574\ub098\uac08 \ud544\uc694\uc131\uc744 \uc5ed\uc124\ud558\uace0 \uc788\ub2e4. \uc774\ubc88 \uc804\uc2dc\ub97c \ud1b5\ud574 \uc791\uac00\ub294 \ubb3c\ub9ac\uc801\uc778 \uc778\ud130\ub799\ud2f0\ube0c\uc131\uc744 \uac15\uc870\ud558\ub358 \ubbf8\ub514\uc5b4\uc544\ud2b8\uc5d0\uc11c \uc778\uac04\uc758 \uac10\uc218\uc131\uc744 \uc544\uc6b0\ub974\ub294 \ucc28\uc6d0\uc73c\ub85c \u2018\uc778\uac04\uc801\uc778\u2019 \ubbf8\ub514\uc5b4 \uc544\ud2b8\ub97c \uc7ac\ud574\uc11d\ud558\uace0 \uc788\ub2e4.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sensitivity Generated in Media Art: Hyun Ju Kim(ex-media)&#8217;s Floating, Fragmented Pieces of Me<\/strong><\/p>\n<p><strong>Yeon Shim Chung (Critic\/Curator)<\/strong><\/p>\n<p>2013.3 [Pieces of Me] Exhibition Catalog<\/p>\n<p>&nbsp;<\/p>\n<p>Hyun Ju Kim&#8217;s \u201cMy Swimming Ego,\u201d installed at KunstDoc, conveys her honest monologue both as a user of technology and a media artist that has freely utilized technology to her will. As a media artist, she has experimented with various media art and facade works based on social network systems, and has collaborated with diverse artists through convergence programs. Building a triangular media facade that connects the Hanbit Media Gallery, Seoul Square and Sangam DMC, she attempted at a new way of communication via realtime SNS.<\/p>\n<p>Kim mainly addresses modern men\u2019s sentiment, isolation, and issue of existence in a digital smart society, focusing on the relationship between information and images. In particular, the work at KunstDoc focuses not on various technological experiments, but rather on the expansion of the influence of digital media into our daily lives, and thus portrays the media artist\u2019s conflict and compromise with the psychological reality. In this postmedium and digital era, anyone exposed to smart phones and social networks is bound to find himself or herself floating and swimming around in the ambiguous area where the line between the virtual and the real is blurred. The artist portrays the various changes in identity and body that we experience in the hybrid space of reality mixed with the virtual. Media art has stressed the \u201cinteractive\u201d experience between the user and the medium, but the related technology has simplified the sentimental aspect of human relations, thus emotionally isolating the humans against one another. Ironically, the SNS is the most widely used form of communication and yet the most powerful tool of isolation.<\/p>\n<p>The opening ceremony of Kim\u2019s KunstDoc exhibition (March 16, 2013) started off with a media performance, a collaboration among Yi-Kyoung Kim (scenographer), Soon-young Park (sound artist), and Ji Sung Lee(curator). The performer\u2019s body, wired with wearable computing, is Kim\u2019s version of a digital body that has been fragmented into bits. Sensors are attached to the performer\u2019s body and the moment the body is touched, the performer instantly transforms into a moving machine. It is in that moment that the posthuman body is detached from the mind. The mind and body disparately exist. Such uncomfortable moments are portrayed through the sound effects of the performance, movements of Kim\u2019s Tweetbot and the poetic texts scattered throughout the project, altogether creating a mise en scene that baffles the audience.<\/p>\n<p>The performance happening inside Kim\u2019s installation allows the audience to immerse as if the audience had posthuman devices directly attached to them. This performance leads to the critical question of how such immersion, such digital technology and social media has isolated relationships between the body and mind, you and me, and the physical and the psychological self. Through Kim\u2019s installation, we are able to both physically and psychologically pull ourselves away from the technology-based immersion and look back at the social media space. While Kim had focused on media interaction in the past, she now addresses the critical questions that she personally come across in the process of seeking artistic value as an engineering-based researcher.<\/p>\n<p>With the advent of the information era through internet and social networking, a new form of communication was introduced, and such change in technology has transformed our daily lives, making possible a revolution in digital media. Both Jeffrey Shaw\u2019s The Legible City (1988-1991), a digital media work, and Thomas Ruff\u2019s Jpegs series, modification of pixels through constant fabrications of digital photographs, would not have been possible without digital technology. Image has now transcended the conceptual limitations of Baudrillard\u2019s simulacre and is now treated like information and just as easily made into data. An image created by an anonymous user in the social network space is consumed, modified, and reproduced by another user.<\/p>\n<p>Video combined with computers and installations opened up room for new media experiments, and modernist white cubes came to be in need of dark spaces, or \u201cblack boxes\u201d. While the early video artists such as Vito Acconci and Bruce Nauman used small screens such as CCTVs, the new media artists that now require black boxes have evolved toward big screens that induce immersion. The change here refers to the fact that art is now conceived neither as object nor the Minimalist \u201cthing\u201d or \u201cobjecthood,\u201d but as \u201cimage.\u201d( Alexander Alberro, &#8220;Questionnaire Alberro,&#8221; October (Fall 2009), p. 58; points out the transformation into image as the initiative for study of \u201cvisual culture\u201d; Susan Buck-Morss, &#8220;Visual Studies and Global Imagination,&#8221; Papers on Surrealism 2 (Summer 2004), pp. 1-29.) The transformation of images from analog to digital has allowed artists to more freely \u201cedit\u201d them, bringing forth the mixed usage of fiction and nonfiction images. Whereas the concept of \u201cproduction\u201d remained as an immobile state in traditional arts, the advent of new media has made us realize that such category is not a fixed idea.<\/p>\n<p>Artist Hyun Ju Kim presents the issue of modern men\u2019s identity and their experiencing sentimental schizophrenia in the virtual world of social networks, a space more real than the actual reality. This is also because it is in the virtual space that heterochrony, a fission in continuous temporality, is dealt with more significance. In a cyber space, the linear flow of time is broken and the past, present and future are mixed together. In such space, the natural and the artificial, the analogue and the digital, the sentimental and the rational, the rough (unedited) and the refined (edited), and the raw and the cooked do not exist as opposites, but rather go back and forth one another\u2019s boundaries, all the while expanding our senses and sometimes isolating one another.<\/p>\n<p>Kim explains that \u201cmy body is turned into tiny bits and these pieces are scattered throughout the vast cybernetic space, mixing with and connecting to other bodies.\u201d Instead of realizing immediate interaction through mechanic feedbacks in a posthuman state where human and mechanic senses are intertwined, the artist asks whether sentimental sympathy is possible in such cyber spaces.<\/p>\n<p>We are connected via social networks, and yet we coexist as isolated and fragmented points. Communication is easy, but on the other hand, everyone seeks anonymity and severance that isolate one against the other. With comprehensive understanding of technology, the artist uses the first and second floors of KunstDoc to display, through a \u201cpsychologically\u201d interactive format, the loneliness and emptiness that we feel in such cyber spaces. To portray human sentiment and the fragmented identity in a virtual space, she has transformed the space of KunstDoc with her mise en scene. The video splashed onto the floor of KunstDoc consists of unedited Tweets. These tweets are raw texts free of any Photoshop manipulation; they fleeting beings with no unity or perpetuity whatsoever, just like a fragmented body. The texts exist as virtual images of super-modernity, temporarily existing as digital pixels and bits, then instantly vanishing.<\/p>\n<p>Kim\u2019s new work, &lt;Pieces of Me II&gt; accentuates the spatial nature of KunstDoc\u2019s first floor. She picks up sentimental messages on Twitter and either prints or makes them into mobiles, thus transforming the cluster of texts into a sculptural installation art. Inside the world of Twitter, information is updated at a great pace and nothing stays fixed; the yellow texts are the most recently downloaded messages. Twitter users constantly come and go, and the relay of comments on short messages create a transient and unrefined space. Twitter space, which could be referred to as the world of super modernity, is an instant space that is fleetingly consumed. This is where one\u2019s cyber identity is dispersed and scattered, and where one\u2019s body and identity are fragmented into digital bits. This is in no way the sole artist\u2019s sentiment; anyone participating in the social networks would experience similar feelings. It is because such sentimental expressions are universal that they can be collectivized. \u201cSwimming Ego\u201d uses a physical installation to portray our daily sentiments within a digital environment, and conveys the self portrait of our lost selves that cannot seem to belong anywhere. Digital media has extended our senses and body, but has failed to bring us psychological comfort.<\/p>\n<p>Kim\u2019s installation &lt;Pieces of Me I- Tweetbot&gt; at KunstDoc is a conceptual continuance of her work displayed at Savina Museum\u2019s \u201cSocial Art\u201d in spring of 2012. Back then, the artist had created her TweetBot v1.0, 2012. This time, her \u201cTweetbot,\u201d about 45 centimeters long, crawls around and shows to the public the sentimental expressions such as \u201clonely,\u201d \u201calone,\u201d \u201cloneliness,\u201d and \u201cwaiting alone\u201d that the artist has searched and picked up on Twitter. \u201cTweebot,\u201d Twitter-robot, is a mechanic device that captures words on Twitter. This Tweetbot also mediates the virtual space of SNS and the real, physical space where the art is installed. Tweeted words such as \u201cloneliness\u201d do in fact convey the sentiment that social networks induce on people, but are also simple expressions of what people actually feel in the real world.<\/p>\n<p>The artist has installed &lt;Pieces of Me III \u2013 FalseBody&gt; on the second floor of KunstDoc. Also known as \u201cFalsified Body\u201d and \u201cBody of Mistakes,\u201d this work consists of a laser-etched Plexiglas panel and digital animation. The artist uses a digital body to reveal its immaterial aspects. The audience is free to take with them pieces of the art in a bag, and also take photographs of the bags and send them back to the gallery.<\/p>\n<p>A social network is both a virtual and real space in which information is constantly and instantly updated in a way that was not possible in the past. The information updated via smartphones and the information concurrently available on Twitter exist as fragmented \u201cpieces\u201d that cannot stay put. The virtual and the real spaces do not exist separately; their boundaries have been blurred. In such times, social networks have extended human senses and brought about a new convenience through its vast amount of information. Medium has not only extended human senses, but as Rosalind Krauss has said, acted as the \u201ctechnical support\u201d of human memory and experience.<\/p>\n<p>Kim expresses in this exhibition the psychological discomfort that she has felt, both as artist and user, at having technology expand its influence into not only artistic medium but our daily lives. Technology has transformed the identity of modern men into that of posthuman nature, and its physical interface has provided its audience the opportunity to experience interactivity at a whole new level. Kim, as a media artist, has a profound understanding of the fast developing technology and embraces it at an artistic level. At the same time, she stresses the necessity for the media art, which had put great emphasis on art\u2019s transcending materiality, to face and physically meet its audience and objects in order to proceed onto an expanded field. Through this exhibition, the artist steps back from the earlier media art that stresses physical interactivity, and has reinterpreted media art into a \u201chuman\u201d art that embraces humane sentimentality.<\/p>\n<p>&nbsp;<\/p>\n<p>Translation: Eunah Park<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ubbf8\ub514\uc5b4 \uc544\ud2b8 \uc18d\uc5d0 \uc0dd\uc131\ud558\ub294 \uac10\uc218\uc131: \uae40\ud604\uc8fc\uc758 \u2018\uc720\uc601\ud558\ub294 \uc790\uc544\u2019 \uc815\uc5f0\uc2ec (\ubbf8\uc220\ube44\ud3c9, \ud050\ub808\uc774\ud130) 2013.3 [Pieces of Me] Exhibition Catalog &nbsp; \ucfe4\uc2a4\ud2b8\ub3c5\uc5d0 \uc124\uce58\ub41c \uae40\ud604\uc8fc\uc758 \u2018\uc720\uc601\ud558\ub294 \ub098\uc758 \uc790\uc544\u2019\ub294 \ud14c\ud06c\ub180\ub85c\uc9c0\ub97c \uc790\uc720\uc790\uc7ac\ub85c \ub2e4\ub904\uc628 \ubbf8\ub514\uc5b4\uc544\ud2f0\uc2a4\ud2b8\uac00 \ud14c\ud06c\ub180\ub85c\uc9c0\uc758 \uc720\uc800(user)\ub85c\uc11c \uadf8\ub3d9\uc548 \ub290\uaef4\uc628 \uc9c4\uc194\ud55c \ubaa8\ub180\ub85c\uadf8\ub97c \ubcf4\uc5ec\uc900\ub2e4. \uc791\uac00\ub294 \uadf8\ub3d9\uc548 \ubbf8\ub514\uc5b4 \uc544\ud2f0\uc2a4\ud2b8\ub85c \uc18c\uc15c \ub124\ud2b8\uc6cc\ud06c(Social Network)\ub97c \uae30\ubc18\uc73c\ub85c \ud55c \ubbf8\ub514\uc5b4 \uc544\ud2b8 \uc791\uc5c5\uacfc \ubbf8\ub514\uc5b4 \ud30c\uc0ac\ub4dc \uc791\uc5c5\uc744 \ub2e4\uc591\ud558\uac8c \uc2e4\ud5d8\ud574\uc654\uc73c\uba70, \uc735\u00b7\ubcf5\ud569 \ud504\ub85c\uc81d\ud2b8\ub97c \ud1b5\ud574 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/ex-media.org\/wordpress\/wp-json\/wp\/v2\/pages\/662"}],"collection":[{"href":"http:\/\/ex-media.org\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ex-media.org\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ex-media.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ex-media.org\/wordpress\/wp-json\/wp\/v2\/comments?post=662"}],"version-history":[{"count":4,"href":"http:\/\/ex-media.org\/wordpress\/wp-json\/wp\/v2\/pages\/662\/revisions"}],"predecessor-version":[{"id":678,"href":"http:\/\/ex-media.org\/wordpress\/wp-json\/wp\/v2\/pages\/662\/revisions\/678"}],"wp:attachment":[{"href":"http:\/\/ex-media.org\/wordpress\/wp-json\/wp\/v2\/media?parent=662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}