김현주(ex-media) <아귀다툼-인간/기계/동물의 네거티브 피드백>

 

아래 캔파운데이션에서 지원하는 오래된집 재생 프로젝트 9기 전시를 준비했습니다.

more info: http://neolook.com/archives/20140718a

 

(사)캔 파운데이션은 성북동의 두 채의 낡은 가옥을 작가의 레지던시와 전시공간으로 활용한 오래된 집 재생프로젝트를 6년간 진행해 오고 있습니다. 본 프로젝트는 매년 공모를 통해 오래된 집과 함께 호흡하며 오래된 집에 스며있는 시간의 흔적과 이야기들을 자신만의 상상력으로 풀어 나갈 참여작가를 선정해 왔습니다.

특히 이번 오래된 집 재생프로젝트9기는 장마프로젝트와 조소희작가의 초대전으로 구성되며, 이 중 장마프로젝트는 7월, 8월의 장마기간을 접목하여 흥미로운 퍼포먼스와 전시를 선보일 예정입니다. 본 프로젝트는 지난 6월에 진행된 공모의 지원작가 중 선정된 김현주(ex-media),오종원, 유목연, 최성록의 전시가 각각 1부(오종원, 유목연), 2부(김현주, 최성록)로 나누어 진행되고 있습니다. 60년 이상 된 오래된 집이라는 특수한 공간과 장마기간이 맞물려 만들어질 이번 프로젝트는 오래된 집의 새로운 읽기를 제공 할 것입니다.

■ 전시명 김현주(ex-media) <아귀다툼-인간/기계/동물의 네거티브 피드백>

퍼포먼스 콜라보레이션/성혁, 홍승비(열혈예술청년단) 08.12(화) 오후 6시

최성록 <그 집에 빛>

 

 

■ 기간 2014년 8월12일~8월23일 10am-6pm (공휴일은 제한적 운영)

■ 오프닝 2014년 8월 12일(화) 오후 5:00

■ 장소 오래된 집(서울시 성북구 성북동 62-10,11)

전시관람은 오래된 집이라는 전시공간의 특수성으로 인해서 집 앞에서 안내하는 갤러리 전화번호로 전화를 주셔야 관람이 가능합니다. 수, 토, 일 4pm-6pm에 김현주 작가와 만날 수 있습니다.

 

Exhibition & Performance at KunstDoc

Click the image to see the information about Hyun Ju Kim's Exhibition

Pieces of Me Exhibition at KunstDoc

Click the image to see the information about Hyun Ju Kim's Exhibition

Social Art Exhibition at the Savina Museum of Contemporary Art

Social Art : an Exhibition at The Savina Museum of Contemporary Art March 7-April 27, 2012 more info

My new work Tweetbot v1.0 will be on view.

Urban Organism

Now my multichannel media facade work [Urban Network] and [ TeleSEC] is on view :

from nmara.net

유기체로서의 도시 THE URBAN ORGANISM

by NMARA on Sep 22, 2011 • 10:22 am

유기체로서 도시 The Urban Organism 프로젝트(2011)는 도심 속의 세 지역에 있는 미디어 파사드를 트라이앵글로 연결하여 하나의 순환을 형성하고 있다. 이러한 상호적 연결과 순환은 을지 한빛미디어파크, 서울 스퀘어, 상암 DMC 누리꿈 스퀘어라는 세 개의 지점의 트라이앵글로 시작한다. 이 트라이앵글을 이루는 3은 창조력, 동적인 힘, 이원성의 대립 해소, 성장, 발전의 숫자이다. 1과 2가 만나 세 번째 것을 낳았기 때문이다. 이는 생명의 순환, 처음-중간-끝, 과거-현재-미래를 의미하면서 많은 신화와 이야기에서 완전함을 보여준다. 하지만 이 프로젝트가 강조하고자 하는 점은 닫혀있는 완전함이 아니라 도시의 유기적인 연결성이 순환 가능한 미디어파사드의 트라이앵글에서 시작한다는 것이다. 이 프로젝트는 이러한 트라이앵글의 연결방식을 시작으로 한빛미디어갤러리 내부와 도시 외부를 넘나들며 시민들에게 도시와 도시 문화에 대하여 다시 한 번 새롭게 인식해볼 수 있는 계기를 마련하고자 한다.

■ 김미교

 

DMC International : Seoul DMC Digital Media Contents International Festival

In collaboration with Prof. Donghwan Lee and  KGIT community , I am organizing this international festival for this fall supported by the City of Seoul, SBA. Please forward this as much as you wish!!! For more information visit at http://dmc-i.org

 

ISEA2012 Albuquerque: Machine Wilderness

Source : http://socialmedia.hpc.unm.edu/isea2012/?q=info/about-isea-2012

The Eighteenth International Symposium on Electronic Art, ISEA2012 Albuquerque: Machine Wilderness is a symposium and series of events exploring the discourse of global proportions on the subject of art, technology and nature. The ISEA symposium is held every year in a different location around the world, and has a 30-year history of significant acclaim. Albuquerque is the first host city in the U.S. in six years.

The ISEA2012 symposium will consist of a conference September 19 – 24, 2012 based in Albuquerque with outreach days along the state’s “Cultural Corridor” in Santa Fe and Taos, and an expansive, regional collaboration throughout the fall of 2012, including art exhibitions, public events, performances and educational activities. This project will bring together a wealth of leading creative minds from around the globe, and engage the local community through in-depth partnerships.

Machine Wilderness references the New Mexico region as an area of rapid growth and technology alongside wide expanses of open land, and aims to present artists’ and technologists’ ideas for a more humane interaction between technology and wilderness in which “machines” can take many forms to support life on Earth. Machine Wilderness focuses on creative solutions for how technology and the natural world can sustainably co-exist.

The program will include: a bilingual focus, an indigenous thread, and a focus on land and skyscape. Because of our vast resource of land in New Mexico, proposals from artists are being sought that will take ISEA participants out into the landscape. The Albuquerque Balloon Museum offers a unique opportunity for artworks to extend into the sky as well.

The lead organizations hosting ISEA2012 are 516 ARTS, The University of New Mexico and The Albuquerque Museum of Art & History. There are a total over 50 partnering organizations to date representing museums, colleges, nonprofit arts organizations, environmental organizations and the scientific and technological communities.

Call for Entries

DEADLINE: October 15, 2011

* Artworks/Performances
* Panels
* Workshops
* Papers
* Residencies/Special Programs

How to apply
Apply here to propose conference panels and papers, and workshops for the conference and youth programs. Propose artworks and performances/events for the main exhibition at 516 ARTS, the Albuquerque Museum and other venues. In addition, apply here for a number of residency and special project opportunities throughout the region. Each of these opportunities is described in detail in this section. Artwork, residency and special project applications require one high-resolution image for publication, additional images, online videos and other links are optional. Residency and special project opportunities require a budget. Make sure your budget matches the funds available to the opportunity you are applying for as the amounts vary. With each application, check the appropriate symposium subthemes and/or focus days, or select other/none, and check each special project/residency opportunity box as appropriate. You may apply as a team but must name one contact person. You may apply with multiple projects in more than one category.

ISEA International defines “electronic art” as art that cannot be created without electronic means. This includes both visual and performing arts, and it means that technology, such as computer software, the Internet, databases, wireless devices, electronic components or physical computing, has played a role in the creation of the work. This does NOT mean that the work itself must contain a screen, projector, embedded computer or electronic components.

Budgeting guidelines
Artists seeking support for projects should submit a brief budget outline of expenses, noting the total amount requested. The budget outline should include honoraria if needed, materials, shipping, travel and equipment. As with past ISEA exhibitions, artists are encouraged seek other forms of support where they can, such as their universities or local governments. At least partial funding for many ISEA2012 projects will be available, but artists seeking support from ISEA2012 for over $5,000 will not be considered. In most cases, the support stipends for artists who need support will be $500 to $2500.

For special project calls, support amounts vary from $500 to $10,000. In cases where the special calls include a culminating public artwork in the main exhibition or performance during the conference, the costs for installation should be included in the artist’s budget proposal. Equipment needs should also be described in full.

Special Project Opportunities
View a list of opportunities for Residencies/Special Projects.

Jury
The ISEA2012 main exhibition will be juried by a team of experts from around the world including members of the international ISEA committee and selected guest jurors. Conference proposals will be juried by members of the international ISEA committee and sub-theme leaders. Special projects proposals will be juried by all of the above, including representatives from the sponsoring organizations for the individual projects.

Translife 2011: International Triennial of New Media Art

중국 국립미술관에서 열리는 국제 미디어 아트 트레니얼이 베이징에서 7월 26일부터 열린다. 한국에서는 이용백, 민세희, 이준 작가 참여.

Weather Pong v. 1.0 by Zune Lee

Weather Pong v. 1.0 by Zune Lee & his collaborators

Source: http://mediartchina.org/overview

Following the groundbreaking international new media art exhibition Synthetic Times, a 2008 Beijing Olympics Cultural Project, the National Art Museum of China presents TransLife, the next installment of the Media Art China series, now instituted as a triennial, slated to open on July 26, 2011, in Beijing.

Amidst the global challenges of climate and ecological crises that threaten the very existence of humanity, the exhibition TransLife reflects on the whereabouts of humankind in relationship to nature through an unique perspective and philosophical speculation, calling for citizen participation in facing these imminent challenges with artistic imagination to advocate a new world view of nature and a retooled humanist proposition.

The exhibition is structured by three thematically related components that gradually progress from the discovery of new sensorial potentials that extend our cognitive capacities to the emergence of multiple life forms to biodiversity and an exploration of the symbiosis of cohabitation, revealing emerging concepts of life and provoking contemplation on the biosphere. In doing so, the exhibition also strives to reassess the historical roots and epistemological foundation of the current ecological and environmental predicament, interrogating the notion of subjectivity inherent in the project of modernity and the anthropocentrism derived from that tradition.

The exhibition’s architectural design starting with the first floor of the museum and extending to the third and the uppermost floors resonates with exhibition’s thematic construct in which the progression from the sensorial experiences of the individual to the recognition of the multitude of life phenomena and, finally, to the attention to life-sustaining ecosystems echoes with the emotional and perceptual evolution from micro-worlds to a macro-universe, making the curatorial concept an organic and symbolic physical presence.

TransLife will bring to the Beijing audience an unparalleled roster of 53 artworks by over 80 artists and artist collectives from China, Korea, Japan, Singapore, the United States, Canada, Mexico, Brazil, Spain, Italy, France, Germany, Switzerland, Austria, The Netherlands, Latvia, Ireland, UK, Finland, Belgium, Norway, Serbia and Australia. 40 works will be included in the theme exhibitions and 13 works will be installed in the “Weather Tunnel” special project.

The exhibition will occupy three galleries on the museum’s first floor and the entire space of the museum’s 3rd and 5th floors, totaling over 4000 square meters.

The cutting-edge Chinese architect MA Yansong will design a large installation for “Weather Tunnel” in collaboration with emerging artists from a selection of leading art schools in an open area of the museum.

The 300 page plus exhibition catalogue will consist of a collection of scholarly texts contributed by world-renowned authors (Bruno Latour, Arjen Mulder, Chris Salter, Peter Sloterdijk, Eugene Thacker, and a curatorial text by ZHANG Ga) to elaborate on the exhibition’s themes and their philosophical ramifications, along with color illustrations of works in the exhibition. The catalogue will be co-published by NAMOC, The Liverpool University Press and the Foundation for Art and Creative Technologies in UK and distributed globally.

Artistic Director / Curator, ZHANG Ga